Crime Collective Content Vault
Bookish: A Q&A with Matthew Sweet
A novelisation! How retro. Ain’t it? They’re some of the first books I read, in those distant days before streaming, before DVD, before VHS. Hull Central Library furnished me with...
Bookish: A Q&A with Matthew Sweet
A novelisation! How retro. Ain’t it? They’re some of the first books I read, in those distant days before streaming, before DVD, before VHS. Hull Central Library furnished me with...
The Day I Lost You: Q&A with Ruth Mancini
Are there any key movie/TV, music or literary influences you found inspired or encouraged you whilst writing The Day I Lost You? No single book or movie comes to mind,...
The Day I Lost You: Q&A with Ruth Mancini
Are there any key movie/TV, music or literary influences you found inspired or encouraged you whilst writing The Day I Lost You? No single book or movie comes to mind,...
Writing Watch Me Watch You: Q&A with Lily Samson
How long has the story behind Watch Me Watch You been on your mind? Was there a particular moment or spark that made you sit down and start writing it? I have...
Writing Watch Me Watch You: Q&A with Lily Samson
How long has the story behind Watch Me Watch You been on your mind? Was there a particular moment or spark that made you sit down and start writing it? I have...
The First Twist by Steve Cavanagh
How do you surprise a reader? How do you land a twist so hard that jaws fall open and the book falls from the reader’s hands and hits the floor? ...
The First Twist by Steve Cavanagh
How do you surprise a reader? How do you land a twist so hard that jaws fall open and the book falls from the reader’s hands and hits the floor? ...
Exclusive Chapter Sampler from Matthew Blake
PROLOGUE THE LUTETIA, PARIS 1945 ‘There’s another body,’ says one of the porters. ‘Upstairs, Room 11.’ He sighs. ‘Murder or natural causes?’ ‘That’s your business, not mine. I told them...
Exclusive Chapter Sampler from Matthew Blake
PROLOGUE THE LUTETIA, PARIS 1945 ‘There’s another body,’ says one of the porters. ‘Upstairs, Room 11.’ He sighs. ‘Murder or natural causes?’ ‘That’s your business, not mine. I told them...
On Writing A Sharp Scratch: Process, Inspiratio...
When I look back at the early drafts of A Sharp Scratch, it’s a very different book. I’m struck by how much has changed, but it’s also interesting to see...
On Writing A Sharp Scratch: Process, Inspiratio...
When I look back at the early drafts of A Sharp Scratch, it’s a very different book. I’m struck by how much has changed, but it’s also interesting to see...